for the second and far overdue release on his little leaf imprint matt moroder delivers a superlative psychedelic reimagination of shuggie otis which sits far beyond the realm of your blog standard ableton edit. matt scliced the original into little pieces put it new together and added some drums and percussion with the respect this soul classic deserves. this rework is hypnotizing makes you wish to never end. on the flip hamburgs hardest working entertainer erobique used the same kind of gentleness to rework some cello and voice by one of the greates disco visionaries and songwriters that left us much to early. by creating a dirty mpc beat and blend it with vocals and cello erobique creates his own vision of the late arthur russell far from the average four too the floor mediocrity. this vinyl only release is strictly limited to 300 copies and shines even more with a splendid artwork that shows love and care

our fav greek fella is back on track with his new and third 12 inch on morris audio! ekkohaus has been steadily building up his profile with releases on 2020 vision, mule electronique, cargo edition and liebe*detail with his, yeah lets say >tech-house< style. >dance in the streets< is a good example of this and shows both sides of ekkohaus!

chymera brings us two of his very finest in stunningly beautiful, piano laden >for the lonely<, and the superbly emotive, crowd-pleaser that is >ceril<. on the remix of >for the lonely<, the irish are in full force, as fish go deep back their countryman with an excellent and thorough reworking. the ep is rounded out in style with a master-h detroit vision take on >ceril<.

after his rather menacing vision called >worlds end< (hometrainer/acid pauli 12inch, dec 2010) acid pauli pulls another two typical tricky tracks out of his musical drawer. but, to confuse right from the scratch, he gave them polarizing names such as >like it< and >dont like it<. has he possibly planted something on us?

the time and space machine return with the third in their series of highly acclaimed, mind bending psychedelic edits. freakbeat anthems meet hypnotic ragas and swirling phazers, while cosmic cowboys ride off into a day glo sunset. vinyl only, strictly limited as ever, housed in a beautiful luke insect sleeve. the >time and space machine volume three< is a psych lovers technicolour dreamcoat.

roberto bosco is a young italian producer with a short but highly impressive discography, citing labels such as samuel l. sessions klap klap, orlando voorns night vision and len fakis figure. lately, he has released on be as one, an israeli imprint thats attracted the tastes of loco dice, gui boratto, kate simko, agoria and gummihz. claudio mate has an unique kind of sound: there is something like classic atmospheres expressed into new spine-tingle grooves, a deep-cosmic-solid journey or more simply just the trip of his life story. claudio mate got the respect of such names like the godfather of techno music juan atkins (for him claudio remixed >game one< previously licensed on the legendary metroplex), orlando voorn, francois k, derrick may and manuel gottsching. the swedish techno heads like adam beyer, samuel l session, joel mull always supported him since the first projects. mate & bosco together are abstract souls, a new project set up to develop their deepest sound. >abstract souls ep< is their first release under their new moniker and contains 4 deep techno tracks, solid techno grooves infused with dark dubby atmospherics and cosmic influenced rhythms.

steve tang & m dreams are on a roll, with wax dropping hot & thick, on steel. tang represents a retro-futurist vision of post-acid chicago house, all made with vintage tech & dripping with machine soul.

with their first co-production, dj / producer paul woolford and the irish-born producer team paul hamill and dee lievense aka psycatron deliver the prove that uk techno has not lost any of its energy or visionary power in the year 2010. after releases for carl craigs planet e label and r & s (psycatron) resp. 2020 vision or renaissance (paul woolford), the two tracks on the >thunder ep< are consequently moving to the next level. >thunder< impresses with extremely dynamic drumming and always changing percussion patterns. a rhythm body that is constantly in motion and will be enlightening every single dance floor with its hypnotic power dub. >cloud 9<, however, is stepping back at first and stresses an explicit chord techno structure despite its solid pumping elements before integrating some noise rave signals following the epic break after some 5 minutes, as it was totally naturally and thus letting the whole floor blast off. with such joy of telling and the eagerness to experiment in a musical way, you are really looking forward to the winter club season 2010/2011!

2010 has seen some juicy, off-the-wall techno/electronic vinyl goodies from the head space of little nobody, including the acclaimed >metropolis how?< and >robota< records - with remixes by the likes of james ruskin, justin berkovi, inigo kennedy, dj hi-shock, si begg, patrick pulsinger and steve stoll. but its the originator of the tracks who continues to push the perimeters, recently leading hi-shock, the prolific innovator behind the essential elektrax empire, to suggest that honestly, i think you are at least a couple of years ahead in your musical vision compared to other producers. little nobodys alter ego andrez bergen has also had his head buried this year in the creation of a hardboiled/noir/sci-fi novel called >tobacco-stained mountain goat<, and it was in the midst of this project - with these heady influences - that the get away from it all 12-inch project came to light. thus we got on board bas mooy (planet rhythm/audio assault) and dave tarrida (tresor/musick) to do the two scintillating re-takes here, which are downright brilliant. meanwhile little nobodys troll, on the flip-side, lives up to its claim: its hardboiled and devastatingly dirty electronica. all up, think streetwise, smack-your-glitch-up techno - dark, uber-bassy, dirty and pulsating - just the way we like it, with sardonic samples and a freestyle, postmodern attitude thats invigorating. matched up with the cool artwork by marcin markowski, this is an essential slab of wax for 4:00 am head-caving techno!

spun presents neuro dub. its the new style, the perfect blend of neuro dnb and dubstep.

mood ii swing steps up to the plate for the latest core reissue with one of their finest works, handpicked from an accomplished list of mighty ny house masterpieces spanning the 1990s. >sunlight in my eyes<, released on king street sounds, is one of springsteen and ciafones unquestionable feats, an astral, pad-laden waking dream structured around a spine-tingling vocal sample that is progressively rearranged, teased-out and freaked relentlessly, as each exalted chord is shone down from the heavens at precisely the right instant. a prime example of the weightless, unfettered and incomprehensibly beautiful musical imagination of the rave generation, the 1994 masterpiece nonetheless features the swinging drum program and demolition drive of a ny house classic—a track right at home amid the boundless vision of springsteen and ciafones genius. finally reissued after 16 years of obscurity, >sunlight in my eyes< encapsulates mood ii swings many forms in a singular exposition of deep house eternity worthy of representing the duos prolific catalog.

striking the elusive balance between creativity, originality and pop sensibility, canyons have just unveiled the first taste from their debut album (due 2011) in the form of the new single, >my rescue<.
with an aural likeness to elements of psych, folk, house and everything deep, what is essential to canyons is that their music evokes a sense of feeling and truth, ruth. close your eyes, feel the sun on your face and prepare yourselves for the sonic vision that is canyons.

from two of the most recognisable names in the world of deep house, -back together- marks the long friendship and musical collaboration between martin iveson and frédéric blais. having met through the diy circles in the late 90s in nottingham, martin & fred have remain best friends since. martin collaborated on freds first album, -under the sun- (released on 20:20 vision in 2000) on the tracks -derby- and -let you down-. his recent remix of freds track -mercyless- on om became a staple with deep house djs worldwide. fred has remixed tracks for atjazzs now defunct label mantis (kimbu kimra-s -raise the dead- and atjazz-s -its complete-) as well as a recent remix for atjazz feat. clyde -i forgot you-

christian prommer (drumlesson) und alexander barck (jazzanova) präsentieren ihr gemeinsames projekt. dabei greifen die beiden die musik ihrer vergangenheit auf und treten von da aus die reise in die zukunft ihrer vision von eklektischer musik an - von deepen kraut-klängen über chicago, detroit, köln, berlin zum münchner disco-sound. chapeau!

after the success of the track naphtalina, the label offers a return on this release with the coming of a part 2. the duo danzca was again requested to provide a new vision of this title. this rework is accompanied by another choice remixer. after the talented joey beltram, it is up to peter van hoesen offers us a remix of this track.
these two new visions are sure to warm up the dancefloors with the arrival of the first wintery evenings. two approaches, two universes, two visions but the same guaranteed effect!

with this release sinan kaya, an istanbul based dj and producer, is becoming a fresh member of the berlin tonkind crew. since 2001 his passion became also his profession, which he continuously dispread with dj-ing and scores of releases across the bosporus over to europe. his productions and sets can be defined as deep and playful. so aswell this release, which comes up with three variable tracks. something else in the front, shows sinan kayas touch for the impulsive sound.this track becomes a real trip on the dance floor and reflects a farsighted feeling for elctronic dance music. on the fells operates more the minimal genre and adepts a symbiosis of many samples, a duby bass and a bumpy rollin groove. as last but not least there is bloom, a rather charming and friendly tech/ deep house track consisting all required ingredients to make it work as dance floor teaser. in all three tracks its possible to notice some eclectic material of jazz, funk, chigago and jackin fragments put together to a unique sound and providing a different vision for life

the esteemed mr. nick chacona, he of moodmusic, hector works, and 2020 vision fame, makes his stunning solo debut on wurst. we reckon >slice of life< is the mans finest work to date, the culmination of the past decadeÆs worth of his most excellent musical output. taking in elements from both disco and house, the song fits quite neatly beween the two genres, with its slow burning groove, rich synth textures, and a soaring, ecstatic synth solo to end all synth solos.

incl. nivek tsoy remix aka house-legend: kevin yost !!!! dj support: sebo k, laurent garnier, robert dietz, franck roger, spencer parker, 2000 and one, lauhaus, meat, anthony collins, bearweasel.......hectors cv reads like a whos who of underground dance labels taking in mobilee, crosstown rebels, 8 bit, 20:20 vision, horizontal and phonica. now he makes his tsuba debut with the stunning >double standard< ep, featuring 3 peak time bombs and a housier mix from kevin yost under his nivek tsoy guise... an essential house release

a deep, jacking monster, accentuated by soulful vocal flourishes and driving synth paranoia. it takes vision to make music that sounds both authentic and cutting-edge, and it takes real skill and talent to pull it off this well.

few artists can lay claim to such a continuous output as bpc resident joakim ijäs, better known as kiki. for kiki, continuity also means permanently developing his musical vision - his superb second album kaiku is testament to this. the current 12 inch >cinema obscura< follows on seamlessly from us house traditions, yet also reduces them to absurdity with its atmospheric density and sonic extravagance.

hoola is the new single taken from archie bronson outfits recent album, coconut. hoola will be available on two remix 12inchs with exclusive mixes from moscow, house of david, motor city drum ensemble, and 6th borough projects two versions of the album track chunk. coconut, archie bronson outfits third album, is a record full of deep riffs, spaced loops and the sound of a band revelling in both their individuality and intensity. coconut is a record of barely contained ambition and ecstatic overload. the album was produced by tim goldsworthy (lcd soundsystem, the rapture, hercules & love affair) and the result is a wildness of musical vision, given the freedom to be let absolutely loose.

al core goes large with this massive double 12 inch for psychik genocide!

luca agnelli is a dj in constant evolution, that has done of variety of styles his trademark, experimenting uncommon paths and inventing innovative languages.
he has done remixes for claude von stroke, flat pack, meg and others, he has realized ep for some of the most representative international labels like mbf, dirty bird, laterra, manocalda, takt, mazoom.
now, a new experience, his own label, etruria beat records, a name that emphasizes his vocation to be connected with his land, a style, and at same time, unmistakably italian, but with a global vision. house, deep and techno that intersect, maintaining in the centre of his creative universe the concept of emotion.
as he says, >i love the music that sounds warmer and deeper, that has a soul.<
first release is all by his own work: >7 o clock< remixed by very prestigious international producers like lee van dowski (cadenza) and dj w!ld (catwash).

becoming real is a young producer residing in a forgotten suburbia, busy channeling his very own postapocalyptic vision of london. a spectre-like entity flitting between a range of electronic frequencies, his self-termed >ghost-step< sound is as much influenced by a conceptual future dystopia as by luminaries zomby & mount eerie. re-imagining the iciest of grime synths through a warped k records aesthetic, becoming real has forged a frozen universe that still retains an unequivocally human feel. charged with future-dread, this is music for seas drowned in oil, tar-coated forest landscapes, and a prophesised world of underwater clubs and haunted dancefloors. after a sold out debut white label release last year, becoming real is ready to emerge in 2010 with the release of >fast motion< / jens clock<, backed with a scratcha dva remix of fast motion.

right in the middle of a summer of love, franck roger singles out the freaknchic dyed soundorom, who gives us his vision of bondage in the already sultry love call. in a chicago and late nights berlin-style, the piece is erotic and will leave you wondering whats next.supported by luciano, matthew dear, ivan smagghe, laurent garnier, deetron, shinedoe, sebo k, quentin harris, anja schneider, dj gregory, djulz, sascha dive, dj spinna, le loup, rocco, ryan crosson, ekkohaus, gummihz, brothers vibe, ralf gum, lee curtis…

becoming real is a young producer based in the suburbs of nowhere, channeling his very own post-apocalyptic vision of london. a haunted and haunting spectre, his self-termed ghost-step soundscapes are as much influenced by a conceptual future dystopia as they are by luminaries zomby & mount eerie.

strong remix pack with stunning mixes from kollektiv turmstrasse, mollono:bass, todd bodine, holger zilske... a must have , without any doubt

nemanja nikolic was born in belgrade, serbia. a couple of years ago, he decided to move to sydney for the purpose of audio production studies. rejection and a new world are nemanjas vision of dub techno, evolving pads, reverbs, space and delays. highway of thoughts and the voice of my youth are an attempt of experimental, darker, minimal tracks with lots of sfx, samples from the real world and live instruments. delta funktionen (ann aimee, delsin) appears for the first time on dpress and delivers a top remix of >a new world< that finds its place near the solid techno sound of sandwell district, etiku, ostgut ton.

the debut album from hrdvsion, aka nathan jonson, takes the listener to a variety places, at least some of which will doubtless be new to many ears. a non-compromising creator of glitch-heavy electronic music for the last decade or so, hrdvsion has finally matched his esoteric vision to the more formal structures of house, techno and electro/breakbeat.

lazy days is proud to welcome kruse & nuernberg to the growing family! together and separately, kruse & nuernberg have been responsible for some of the best deep house coming out of germany lately. their productions can be found on labels including 8bit, om , nrk, kolour, 20:20 vision and many more

the solid tumbling tones found on this ep are all thats needed as an introduction to these two accomplished producers latest creation. both strong forces in their own right, the pair come together once again on sweatshop to present their vision of dancefloor harmony, and mystery! sirens is the aptly titled track whose crazy vibe is encapsulated by jacking, swinging percussion, wild pitching synth stabs and a haunting soprano soloist letting loose! this needs to be experienced to be believed, but the proof will be in the dancefloor, hands in the air and minds expanded! moirae works the tension with dense filtered stabs and crisp solid state percussion, driving this deep slab of dark dance into blissful moments of release. mellow yet urgent, its a raw, purist electronic statement! joel alter also offers up a special edit which focuses the groove in a slightly more kinetic direction, with reduced, aquatic synth work and a classic club energy that makes it an ideal addition to the package.

>nausicaä< the female hero fights for survival through ecological desaster. with undeviating force she struggles to revitalize nature. the japanese manga art movie inspired blome to his new release on sender after the 10th anniversary compilation. track one on the a-site >nausicaä< opens with an instrumental amplitude which creates a soulful width. swinging bass weave a well constructed atmosphere of a sensitive play. circulating, flexible sequences combined with sensible used vocals of a guy called gerald creating an impulsive, drifty sound aesthetic. a synchronization of body and motion, of moment and expansion. on the >calamaris street< we travel moreaccelerated through the universe sender. with tentacular sense calamaris street spins strings of sound and voice to a hypnotic bustle. sender 087 is concatenating >nausicaä< and >calamaris street< in an ecstatic synthesis of sound and vision to an new euphoric synthesis.

desolat are proud to present basti grub. basti is a young talented german producer and label owner from the vibrant frankfurt area. his musical journey begins at the age of 14 with a birthday present - an roland mc303 - and since then basti grub shapes his musical vision day and night. he regularly sent beats and tracks to dice who tested them on the road. after a while we had a collection of tracks for a nice 12inch and we simply had to share this music with you: modern groovin house with influences from all over the place. the 12inch comes on colored vinyl with fine artwork by our man florian pohl and will remain a collectors item.

new nerven! robert natus & the hardist present a brandnew techno flavour! this label is always on top and proofs it once more with brilliant picked out tracks out of the masses that are made these days. you know marco remus only selects the creme de la creme for his flagship! big!

big with karotte, len faki, paco osuna, gregor tresher, hugo, laurent garnier and many more! amam is the new label from bright young italian producer alessio mereu, who has already made a name for himself releasing on labels like contexterrior, cmyk and toys for boys. while amams first release found alessio going solo, this time hes half the duo of pet soul boys alongside barcelona-based coyu -- you might have heard his productions and remixes that have appeared on diynamic, 2020 vision, liebe detail and saved. the debut psb single from earlier this year, >calypso soul< on hypnotone, was played by the likes of paul woolford, nick curly and italoboyz. not so bad for a couple of guys in their early 20s!

deeplabs is a new record label out of detroit created and managed by detroit producer and dj luke hess. after several highly successful releases on labels such as fxhe, echocord, beretta grey, & kontra-musik and celebrated remixes on ornaments, pong musiq, and modelisme, luke has decided to take his style of deep detroit techno and root it firmly in the city that inspires his sound. deeplabs is a label created for the deeper, soulful, and experimental side of electronic music, with a clear vision of the dj and the dance-floor.

fourth hideout release from the man himself, luca bacchetti. following his recent release on ovum and the successful remix on be as one, luca is back once more with an ep and two tracks ready to be the centre of attention on this summers dance floors. luca has got us used to surprises, and his vision of music without rules where everything goes - the only common denominators are his trademark sound, his touch, and his feel. nothing to take for granted here as he describes two emotional states at opposite ends of the spectrum: the sunny brightness of endless summer and the dark introspective world of what your soul sings ... endless summer is also his first solo effort on hideout, after the west side story ep collaboration with his label co-owner davide squillace

big with:laurent garnier, johnny d, hanne & lore, ante perry, sebastian lutz,.. family stuff is a collaboration between prodigal belgian producer kolombo and his nephew nicolas houart. nicolas always was an admirer of his nephews djing and production skills and so it was only logical that he would follow in his footsteps. lany recordings is very happy to provide the platform for the first outing of their collaborative studio efforts. with this first e.p. they prove they can handle both smoother and rougher versions of their house and tech house vision, while maintaining their own sound throughout the 4 tracks. i am has been killing dancefloors in belgium for a while in the many sets of label a&r maxim lany and kicks off the e.p.

coming straight from the innermost creative vision and craftsmanship of airdrops cherished andres zacco is this delectable record, designed with dexterous techniques and impeccable taste. this is already andrés second record on airdrop, after his >seated hopping ep<, released in april 2009, that had received outstanding reviews in the european trendsetting press including de:bug (ger), trax (fr) and groove (ger).

black van brings together the talents and vision of two well-known electronic producers: kris menace, whose discopolis and other releases obtained dancefloor ubiquity, and who has remixed a list of notable names, including depeche mode, royksopp, air, underworld and lcd soundsystem, and kowesix, one half of the >all-night-dance-party< dj duo moonbootica, whose own remix credits include such diverse names as mando diao, junkie xl and adam freeland.

>hollow hills< keeps the psychedelic side of riley reinholds music up, which he has released since his first release on disko b in 1995 (red flare ep). jittering voices, sounds that ricochet and basslines that come like little earthquakes. the 11 minute epic >hollow hills< works similar to the waves at the beach, constantly featuring irregular shapes and never repeating itself. the track has been remixed by french artist gohan, who lives in paris and who has electrified the track with his vision of modern daring electronica, bordering on music the glorious wishmountain did in the past. finally domestic musical impact comes from the cologne musician oeler who has made a tougher and more elaborate percussive beat, the core element of his interpretation of >hollow hills<.

believe it or not - summer has finally come. so what could be nicer than some audio delicatessen, produced to become the perfect companions for this season? sun shining in your face, groove rolling through your hips: that must have been andreas krügers vision of the upcoming months. so how come the calender and the leaves on the street are presenting us with a completly different truth? it seems like der dritte raum wants to shed some light onto these endless weeks of cold and darkness - and really, sunny thoughts and warm feelings find their way into our hearts and minds

the needle-drop fuzz that cues sam amidons fourth solo album of songs, i see the sign, raises the curtain on a world of little theatres, foretelling of an aural gut-grip that is fully human and wholly natural. amidons intuitive and often radical reworkings of age-old secular ballads, gospel, folk songs, and hymns render familiar characters new through his direction, vision, vocals, banjo, guitar, and stellar contributions from fellow musicians. stylus magazine raved that amidons sophomore solo album, but this chicken proved falsehearted, was >the most interesting folk album of 2007<. in 2008, bedroom community debuted his third album, all is well, which garnered mediaenthusiasm as a >a goose-bump-manufacturing sonic piece de resistance< (cmj new music monthly).

well ok, no rule without exception... this beautiful joint from johannes albert is a little web 2.0 fairy-tail: the white rookie & cratedigga no. 1 moomin found a youtube clip of a dj hammering a super-deep, rough piano track in a club in the german city of paderborn. he didnt know the track, so he sent the dj a mail asking and a few mails later, the tracks from johannes were blowing away mr. offermanns ears. so the labelhead decided to make this the next white. of course first of all johannes & oskar had to meet a few times to make sure they understand each others vision well and after a few meetings they eventually became friends. so the labels movement towards the direction of house is continued by this release. wooden pearls is pure housemusic to the core. very wooden & grounded in the lower spectrum and crystal clear up in the sky. these very honest and timeless tracks tell us a story. the story of johannes alberts passion for house. since he was 15 years old, he is a fan. from the german franconia he follows house throu his local recordstore >swing king<

part 1 of cr2s miami samplers for 2010 includes >i want you< & the massive future anthem by vision factory & nina hall >music brings you back< (buzz chart no. 2) & new cuts from mendo & damien j carter.

just respect! another top notch hard techno release from the domestic violence boys! a wicked line-up from the big boys in hard techno: lukas, buchecha, dj arcane, motormorfoses and svetec all representing! killer!

classic alert! the first official repress and this time on 2lp. a dream come true! full info soon... this is a very special record. our favourite contender for best house album ever made. this album does not have one filler, all tracks are essential pieces of house music. of course, it includes the more known do you know who you are and in a vision. but check out ride and school hall for instance. originally released under m.e., and much overlooked. this album will be released with new artwork and re-mastered tracks. the vinyl will be available as 2x12, 2 tracks per side loud pressing !! virgo are merwyn sanders and eric lewis. they also recorded as ace & the sandman and m.e. and shouldn-t be confused with the other virgo of vince lawrence and co.

francois ks wave music returns to the fore with a new ep from rising star roberto bosco and in so doing takes a further step into the world of deep, dubby and sonically spacious techno. bosco is still in his early twenties but in his short career to date has already developed a stellar recording cv with releases for samuel l. sessions klap klap, orlando voorns night vision, len fakis figure and shlomi abers be as one as well as remixes for the likes of juan atkins infiniti project.
already support by laurent garnier, stacey pullen, agoria, slam, brendon moeller, terry francis, xpansul, darren emerson, marco bailey, lars klein

roberto bardini is a deep techno producer from turin (ita). he is amongst the few enlightened producer/djs who declared independence from the current minimal-techno mainstream. his musical approach is by all means deep, and through this he casts his vision of a more mature and alternative dancefloor.
well known alongside labels such as shyan music and plastic city, in 2007 starts a collaboration with eclipsemusic and this is his second apparence named >new perspectives ep< features a slow-motion deep house vibes especially >through together< amazing synth texture running on pads pattern in classic robs style deep as the ocean, music with soul and appropriate track for sunset landscapes and beach time dancing, the titletrack >new perspective< is more techno oriented production with dub style chords and raw clipped bass, a new form of dub techno music better for dancefloor situations. rob confirms himself as a innovative deep man walking!